Georgekiato15

Το φωτοχημικό νέφος είναι μορφή ρύπανσης της ατμόσφαιρας που εμφανίζεται σε μεγάλες πόλεις, όπως η Αθήνα. Πρόκειται για μια κατάσταση που οφείλεται σε συσσώρευση αέριων ρύπων, οι οποίοι προέρχονται κυρίως απο τις μηχανές καύσης των βιομηχανιών και των αυτοκινήτων. Κύρια συστατικά του είναι διάφορα οξείδια του αζώτου, το μονοξείδιο του άνθρακα και το όζον. Το όζον, που είναι δευτερογενής ρύπος, παράγεται -στην περίπτωση του φωτοχημικού νέφους- από την αλληλεπίδραση των οξειδίων του αζώτου με την ηλιακή ακτινοβολία, γιαυτό και το νέφος ονομάζεται "φωτοχημικό". Ονομάζεται επίσης "νέφος τύπου Λος Άντζελες" επειδή μελετήθηκε για πρώτη φορά στην ομώνυμη μεγαλούπολη των ΗΠΑ, όπου αποτελούσε σοβαρό πρόβλημα. Οι ρύποι που αποτελούν το φωτοχημικό νέφος, ειδικά τα οξείδια αζώτου και το όζον, προκαλούν σημαντικά προβλήματα υγείας στους ανθρώπους που ζούν στις μεγαλουπόλεις και τους εισπνέουν καθημερινά. Τα τελευταία χρόνια το φωτοχημικό νέφος έχει παραχωρήσει τη θέση του στο υδρογονοσωματιδιακό νέφος που αποτελίται κυρίως από σωματίδια και διάφορους υδρογονάνθρακες, ειδικά πολυκυκλικούς που θεωρούνται καρκινογόνοι. Πηγές αυτού του είδους νέφους είναι ξανά τα αυτοκίνητα και η βιομηχανία. Wikipedia! :) Vrika kai auto: Download Link Mono pou prepei na to anikseis me Photoshop gia na to deis :S Elpizw na voi8isa! :)

It's not mine ... But it doesn't have Credits :S

Is one of the Greatest Gatekeepers i have ever seen! xD Realy Realy Great Job! :)

Check out This Post! I Hope to help you! :)

I like it! ;D Maybe i will try to make some animations :P! GJ Again! xD

You mean Today! xD Happy Birthday to you ... You live in a Zoo ... bla bla bla .... :P Where is the Party?! XD

17 Giati spammareis re ?:P

I can't Explain you exactly how to use it .... but i can show you an application The main application from me is to make someone thinner or fatter :P I can show you an example ... The origilan: Now Thinner: And thinner (It's a little bit Freaking :P) :

Make Your Photos More Suggestive ;D 1. Open a picture you like to make effect, in this tutorial I used Nelly Furtado model photo Press Ctrl +J to duplicate layer Go to Filter ~> Brush strokes ~> Spatter (Radius = 10, Smoothness = 5), choose mode = Lighten Use Eraser tool (choose Soft brush) to remove spatters put on the picture 2. Create a new layer then go to Image ~> Apply Image ~> Ok Continue to go to Filter ~> Blur ~> Motion Blur and adjust angle match with the sun light on the picture. Distance = 50 Set mode this layer: Lighten and continue erase parts put on the model 3. Create a new layer ~> Image ~> Apply Image ~> Ok Use white Brush soft, 65px, Opacity=50% brush a line on the model and change mode = Soft light. 4. Go to Layer ~> New adjustment layer ~> Gradient Map. And do as the picture below, then change mode = Multiply, Opacity=60% 5. Make again Step 1 but this time you adjust Opacity=60% Create a new layer and use Spazzsplatter brush to brush anywhere on the picture that you like Use pen tool to draw a curved line, your picture will be softer 6. Make again Step 4 but now Opacity=70% and mode = Normal Create a new layer Gradient Map like this: Mode=Softlight, Opacity=40% 7. Create a new Gradient Map like this: Mode=Softlight, Opacity=30% Thanx! :)

Written By Steve Patterson When it comes to making selections in Photoshop, there's really two types of people - those who know how to use the Pen Tool, and those who struggle. Most people put off learning how to use the Pen Tool for as long as possible, while others never get around to learning it, believing it's just too confusing, too complicated, and just plain unnatural. Ultimately, their work in Photoshop suffers for it, since they're stuck relying on the Lasso Tool for just about everything they can't select with the Rectangular or Elliptical Marquee Tools. In this Adobe Photoshop tutorial, we're going to put an end to the suffering. We're going to learn just how easy it really is to make selections with the Pen Tool. Now, when I say "easy", I don't mean you're going to read this tutorial and be instantly transformed into a Pen Master. Learning how to use the Pen Tool is a lot like learning how to ride a bike. Once you've learned, it will seem completely natural and you'll wonder how anyone could possibly not know how to use something so simple. But getting to that point requires a little practice and effort, and while reading every book there is on how to ride a bike may teach you the fundamentals of how the pedals, gears and brakes work, it's not until you're on the bike struggling to keep your balance that the real learning begins. One of the great things about the Pen Tool is that it's not something that's exclusive to Photoshop. Far from it! Virtually every popular photo editing, graphics and page layout program uses the Pen Tool in one form or another , so once you've learned how to use it in Photoshop, you'll already have a good understanding of how to use it in lots of other programs as well! Where Do I Find The Pen Tool? Before we start talking about what the Pen Tool is or how to use it, we should look at where to find it in Photoshop first. You'll find the Pen Tool in the Tools palette, grouped in with the Shape Tools, the Type Tool, and the Path Selection (the white arrow) and Direct Selection (the black arrow) Tools (see the image on the left). Of course, this may raise the question of why, if we can make selections with the Pen Tool, is it not grouped in with the other selection tools (the Rectangular Marquee Tool, the Elliptical Marquee Tool, the Lasso Tool, etc.) at the top of the Tools palette? Why is it down there with those other tools which are clearly not selection tools? That's an excellent question, and there just happens to be an equally excellent answer to go with it, which we'll get to in a moment. Why Is It Called The "Pen" Tool? One of the first stumbling blocks to learning how to use the Pen Tool, as with many other things in Photoshop, is its name, since after all, if there's one thing that everyone who's ever tried to use it knows, this thing is not a pen. At least, not the sort of pen you'd normally think of when you hear the word "pen". Try writing your name with it in the same way you might sign your name on a piece of paper with a pen and you'll probably end up with a twisted, tangled mess and things looping all over each other (of course, I suppose that could very well be how you sign your name). So if it doesn't act like a traditional ink pen, why is it called the Pen Tool? The Pen Tool has actually been called several things over the years, and by that, I don't mean the sort of things you may have called it in moments of frustration. You may have heard it referred to as the Bezier Pen or the Bezier Tool, and that's because it was created by a man named Pierre Bezier (that's him on the left), a French engineer and all-around smart guy who came up with the fancy math that powers the tool while working for the Renault car company (the Pen Tool was originally created to help design cars). You may also have heard the Pen Tool referred to as the Paths Tool, and that's really the most appropriate name for it. The Pen Tool is all about drawing "paths". To make selections with the Pen Tool, we simply convert the path or paths we've drawn into selections. It always begins, though, with a path. What Is A Path? A "path" is, quite honestly, something that may seem a little out of place inside a program like Photoshop. The reason is because Photoshop is primarily a pixel-based program. It takes the millions of tiny square pixels that make up a typical digital image and does things with them. Paths, on the other hand, have absolutely nothing to do with pixels, which is why I said they may seem out of place in a program that's used mainly for editing and drawing pixels. A path is really nothing more than a line that goes from one point to another, a line that is completely independent of and cares nothing about the pixels underneath it. The line may be straight or it may be curved, but it always goes from one point to another point, and as I mentioned, it has nothing at all to do with the pixels in the image. A path is completely separate from the image itself. In fact, a path is so separate that if you tried to print your image with a path visible on your screen, the path would not appear on the paper. Also, if you saved your image as a JPEG file and uploaded it to a website, even if you saved the image with the path visible on your screen in Photoshop, you won't see it in the image on the website. Paths are for your eyes and Photoshop only. No one else will ever see them, unless they happen to walk past your computer while you're working. We always need a minimum of two points to create a path, since we need to know where the path starts and where it ends. If we use enough points that we can bring our path back to the same point it started from, we can create different shapes out of paths, which is exactly how Photoshop's various Shape Tools work. The Rectangle Tool uses paths, connected by points, to draw a rectangular shape. The Ellipse Tool uses paths, connected by points, to draw an elliptical shape, and so on. It's also how Photoshop's Type Tool works, although Photoshop handles type a bit differently than it handles regular shapes, but all type in Photoshop is essentially made from paths. In fact, you can convert type into shapes, which then gives you all of the same path editing options with type that you get when working with shapes. You may also have heard paths referred to as outlines, and that's a pretty good description of what a path is, or at least, what a path can be. We can draw a square path, and if we do nothing else with it, as in we don't fill it with a color or apply a stroke to it, then all we have is a basic outline of a square. Same with a circle or any other shape we draw. The path itself is just the outline of the shape. It's not until we do something with the path, like fill it, apply a stroke, or convert it into a selection, that the path actually becomes something more than a basic outline. You can select an entire path using the Path Selection Tool (also known as the "black arrow" tool), or you can select individual points or path segments using the Direct Selection Tool (the "white arrow" tool). A path "segment", or "line segment" as it's sometimes called, is any path between two points. A rectangular path, for example, would be made up of four points (one in each corner), and the individual paths connecting the points together along the top, bottom, left, and right to create the shape of the rectangle are the path segments. The actual path itself is the combination of all of the individual path segments that make up the shape. That can be a little confusing, so let's see what I mean. Open a new document inside Photoshop. It doesn't matter what size it is. I'll choose the 640x480 size from the list of presets, but as I said, it doesn't matter what size you choose. Select your Pen Tool from the Tools palette. You can also select the Pen Tool simply by pressing the letter P on your keyboard. Photoshop Tutorials:The Two Pen Tool Modes Now, before we continue, we first need to make sure we're working with paths, and that's because the Pen Tool actually has two different modes it can work in, and by default, it uses the other one. With the Pen Tool selected, if we look up in the Options Bar at the top of the screen, we'll see a group of three icons: I know I said there's two modes the Pen Tool can work in and yet, as if to make things more confusing, there's three icons, but the icon on the right, which is the Fill pixels icon, is grayed out and not available when working with the Pen Tool. It's only available when working with the various Shape Tools, so there's really only two icons we need to look at. The icon on the left is the Shape layers icon, also known as "not the one we want", and it's the one that's selected by default. If we were to work with the Pen Tool with that icon selected, we'd be drawing shapes, just as if we were using any of the various Shape Tools, except that instead of drawing a predefined shape like a rectangle or an ellipse, we could draw any shape we wanted. As I said though, that's not what we want. We want the icon beside it, the Paths icon, so go ahead and click on it to select it: With the Pen Tool selected and the Paths icon selected in the Options Bar, click once anywhere inside your document. Don't click and drag, just click. When you do, you'll add a small square point. I've enlarged it here: This first point we've just added is the starting point of our path. Now at the moment, we don't actually have a path. All we have is a starting point. The "point" is technically called an anchor or anchor point, and it's named that because it anchors the path into place. This first point will anchor the beginning of the path to this spot inside the document. As we add more points, each of them will anchor the path into place at that location. Let's add another point. Click somewhere else inside the document. Anywhere will do. I'm going to click somewhere to the right of my initial point: I've now added a second anchor point, and look what's happened. I now have a straight line joining the two points together! That straight line is my path. As I mentioned earlier, we need a minimum of two points to create a path, since we need to know where the path starts and where it ends, and now that we have both a starting and an end point, Photoshop was able to connect the two points together, creating our path. Let's add a few more points just for fun. Click a few more times at different spots inside the document. Again, don't click and drag, just click: In the image above, I've added seven more anchor points by clicking at different spots with the Pen Tool, and each time I added one, the length of my path increased because a new path "segment" was added between the previous point and the new point. My path now consists of nine anchor points and eight path segments. I could continue clicking around inside the document to add more anchor points and path segments, but what I'd really like to do now is close my path so it forms a complete shape. Closing A Path To close a path, all we need to do is click once again on our initial starting point. When you hover your mouse cursor over the starting point, you'll see a small circle appear in the bottom right corner of the pen icon: That circle tells us that we're about to come "full circle" with our path, finishing it off where it began. To close it, simply click directly on the starting point. We can see below that my path has become a closed path and is now a basic outline of a shape: ven though this path was drawn just for fun as an example of how to draw a basic path with the Pen Tool , I can easily turn this path into a selection. For that, we need Photoshop's Paths palette, and we'll look at that next. Turning A Path Into A Selection So far, we've looked at what a path is and how to draw a basic path with Photoshop's Pen Tool. But how do you go about making a selection from the path? Easy! There's a couple of ways to turn a path into a selection, including a handy keyboard shortcut, but before we look at the quick way, let's look at the official way. The "official way" involves using Photoshop's Paths palette, which you'll find grouped in with the Layers palette and the Channels palette: At first glance, the Paths palette looks very similar to Photoshop's Layers palette, and Adobe purposely made it like that so you'll feel more comfortable using it. We can see a thumbnail preview of the shape of the path we just created, and by default, Photoshop names the path "Work Path", which is basically a fancy way of saying "temporary", as in if you were to create a different path now without renaming this path to something else first, this one would be replaced by the new path. You can only have one "Work Path", so if you want to keep it, you'll need to double-click on its name in the Paths palette and name it something else before creating a new path. Since my path looks a bit like a crown, I'm going to double-click on the name "Work Path", which with bring up Photoshop's Save Path dialog box, and I'm going to rename my path "Crown": I'll click OK when I'm done, and now if I look in my Paths palette again, I can see that sure enough, my "Work Path" has been renamed "Crown": By renaming it, the path is now saved and won't disappear on me if I go to create a new path. Also, any saved paths are saved with the Photoshop document, so now, if I save my document, the path will be saved with it and the next time I open the document, the path will still be there in the Paths palette. Saving a path is not something you need to do in order to turn it into a selection. In most cases when using the Pen Tool to make selections, you won't have any need for the path once you've made a selection from it, so there won't be any need to save it. If you did want to save it though, just rename it to something other than "Work Path" and it's saved. To turn the path into a selection, if we look at the bottom of the Paths palette, we can see several icons. These icons allow us to do different things with our path. The first icon on the left is the Fill path with Foreground color icon, and as its name implies, clicking on it will fill our path with our current Foreground color. Interesting, but that's not what we want. The second icon from the left is the Stroke path with brush icon, which will apply a stroke to our path using whatever brush we currently have selected. This is a great way to create interesting effects in Photoshop, but for what we're doing here, turning a path into a selection, it's not what we want either. The one we want is the third icon from the left, the Load path as a selection icon: As soon as I click on this icon, my path inside my document becomes a selection, as if I had created it using any of Photoshop's more common selection tools:

LOL .... With hard i can open 2 Windows of l2 :P .... and tou say to opes 5 or 6 ? :S If i make it my pc will make Kabo0o0o0o0o0mm!

Step 9: Set Your Foreground Color To White We have our brush ready to go. Now all we need to do is choose the color we want to paint with. We're going to want to paint with white, which means we need our Foreground color to be white. Press the letter D on your keyboard to make sure your Foreground and Background colors are reset to their defaults, with black as your Foreground color and white as your Background color. Then press the letter X to swap them, making white your Foreground color: Step 10: Save Your Path We have our path, we have our brush, and we've set our Foreground color to white. We're ready to create our first light streak! Switch over to Photoshop's Paths palette, which you'll find grouped in with the Layers and Channels palettes. You'll see your path listed, which is currently named "Work Path", along with a preview of the path on the left, similar to how layers are shown in the Layers palette with their name on the right and a preview area on the left. Whenever you create a new path, Photoshop automatically names it "Work Path", which means it's temporary. If you don't save the path before drawing a new one, the new path will replace the previous one and you'll have lost it. In many cases, this isn't a problem, but let's save our path just in case we want to go back to it later. To save a path, all we need to do is rename it. Simply double-click on the name "Work Path" and Photoshop will pop up the Save Path dialog box, with the suggested name of "Path 1" already entered for you. Click OK to exit out of the dialog box and Photoshop will rename the path "Path 1". The path is now saved: Step 11: Stroke The Path With The Brush Let's create our first light streak. Click on the small, right-pointing arrow in the top right corner of the Paths palette, which brings up the Paths palette's fly-out menu, then select Stroke Path from the list of options: This brings up the Stroke Path dialog box. We want to stroke the path with our brush, so make sure the Tool option is set to Brush. Then, to tell Photoshop to simulate pen pressure for us, click inside the checkbox to the left of the words Simulate Pressure: Click OK to exit out of the dialog box and Photoshop will stroke the path with the brush, creating our first light streak. Notice how the brush stroke tapers off at both ends thanks to that "Simulate Pressure" option: If you think your brush stroke is either too thick or too narrow, simply press Ctrl-Z (Win) / Command-Z (Mac) to undo the stroke, then make your brush larger or smaller by pressing either the left or right bracket keys on your keyboard. The left bracket key makes the brush smaller, and the right bracket key makes it larger. Try again once you've resized your brush. We've added our first light streak, but it doesn't look much like a light streak at the moment. It looks like a fancy white brush stroke, which is exactly what it is. To make it look more like a light streak, we need to add some color and some glow effects, and for that, we'll use a couple of simple layer styles. Step 12: Add An "Outer Glow" Layer Style Switch back over to your Layers palette. You'll see your white brush stroke in the preview area of "Layer 1". Click on the Layer Styles icon at the bottom of the Layers palette and select Outer Glow from the list of layer styles that appears: This brings up Photoshop's Layer Style dialog box set to the Outer Glow options in the middle column. Change the Blend Mode option at the top to Linear Light, which will give us a much more intense glow than what we'd normally get. Then choose a color for your glow by clicking on the small color swatch directly below the word "Noise". This will bring up Photoshop's Color Picker. You can either choose your color from the Color Picker, or if you prefer, you can sample a color directly from the image. To sample a color, simply move your mouse cursor over the image. You'll see your mouse icon turn into the Eyedropper icon. Move the eyedropper over the color you want to sample, then click to sample it. I'm going to sample a light area of the woman's skin to use as my outer glow color: Once you've chosen your color, click OK to exit out of the Color Picker. Lastly, increase the Size of the outer glow to somewhere around 30 pixels. You may need to raise or lower that amount depending on the size and resolution of your image: Don't exit out of the Layer Style dialog box just yet because we still have one more layer style to add. Here's how my light streak looks so far after adding my outer glow: Step 13: Add An "Inner Glow" Layer Style We've added an outer glow layer style to our light streak. Now let's add an inner glow style. With the Layer Style dialog box still open, click on the words Inner Glow on the left of the dialog box, directly below "Outer Glow": You'll see the Inner Glow options appear in the middle column of the dialog box. Once again change the Blend Mode option at the top to Linear Light. Then click on the color swatch below the word "Noise" and either choose a color from the Color Picker or, as I did with the outer glow, sample a color directly from the image. I'm going to sample a darker area of the woman's skin for my inner glow color: Once you've chosen the color for your inner glow, click OK to exit out of the Color Picker. Finally, increase the Size of your inner glow to around 10 pixels. As with the outer glow, you may need to play around with this value a bit depending on the size and resolution of your image: Click OK when you're done to exit out of the Layer Style dialog box. Your light streak should now have an intense glow to it: http://imageshack.gr/files/pl2rctf4bvxmcssrrcem.jpg[/img] That thin dark line we're seeing through the middle of our light streak is the path. Don't worry, it won't be there when we're done. Step 14: Edit The Path To Create A Slight Variation Of It Let's make our light streak a bit more interesting by adding a couple more streaks to it. We can do that easily by simply editing our path to create some slight variations of it and then stroking each variation with our brush. Switch back to your Paths palette so we can edit our path. Then, hold down your Ctrl (Win) / Command (Mac) key and move your mouse cursor directly over any part of the path. As soon as it's over the path, you'll see the cursor turn into a white pointer, which means you now have temporary access to Photoshop's Direct Selection Tool, which is the tool we need to edit our path: Click on the path with the Direct Selection Tool to select it, then make some minor adjustments to the path to create a slightly different path. You can drag an anchor point to a slightly different spot, or move direction handles to adjust the curves of the path, or even drag a path segment to a slightly different position. Just don't touch the anchor points at either end of the path because we want each variation we create to begin and end at the exact same spot. So other than those two anchor points, the rest of the path can be edited any way you like. We're not looking for major changes to the path. Small, subtle changes are all we need. Here, I've changed the two main curves of my path slightly by dragging the two direction handles extending out from my middle anchor point. You can see how the curves of the path no longer exactly match the curve of the first light streak: http://imageshack.gr/files/0l5df5idrshrrnfhq0w3.jpg[/img] We can now stroke this variation of the path with our brush. But before we do, we'll probably want to use a slightly smaller brush this time, so press the left bracket key on your keyboard a couple of times to make the brush a bit smaller. To stroke the variation of our path, there's no need to go through the hassle of selecting "Stroke Path" from the Paths palette's fly-out menu like we did last time. Simply click on the Stroke Path icon at the bottom of the Paths palette: Photoshop strokes the new path we created with our brush. Since we're still working on the same layer in the Layers palette, the Outer Glow and Inner Glow layer styles are automatically applied to our new light streak: http://imageshack.gr/files/9e54lpwh19ru66o5cguz.jpg[/img] Step 15: Create A Couple More Path Variations And Stroke Them With The Brush Repeat the previous step one or two more times to create more variations of the path and stroke each one with the brush. Try changing the size of the brush each time using the left and right bracket keys to add even more interest to the light streak. If you don't like the brush stroke you just added, simply press Ctrl+Z (Win) / Command+Z (Mac) to undo it, then re-edit the path and try again. If you want to see what your light streak looks like without the path blocking your view, simply click anywhere in the empty area below the path in the Paths palette. This will deselect the path and hide it from view. To see the path again, click on it in the Paths palette. You'll need to have your path visible any time you want to stroke it with your brush. If the path is not visible, the icons at the bottom of the Paths palette become grayed out and unavailable. Here's my image after editing my path a couple more times and stroking each new path variation with the brush. Again, since we're still working on the same layer, "Layer 1", in the Layers palette, the Outer Glow and Inner Glow layer styles are automatically applied to each new brush stroke. I've hidden my path from view so we can see more easily what the light streak now looks like with all its different variations: http://imageshack.gr/files/dkz7ptjt48w74nj2ecr3.jpg[/img] Step 16: Copy The Layer Styles On "Layer 1" And with that, we've created our first light streak! You're probably going to want to add at least one more to your photo, and it's a good idea to place each light streak on its own layer, but we can cut down on some of the work we'll need to do by copying the layer styles we've already applied to our first light streak and simply pasting them onto each new layer we create. Switch back over to your Layers palette. You should still have "Layer 1" selected. Go up to the Layer menu at the top of the screen, choose Layer Style, and then choose Copy Layer Style: Step 17: Add A New Blank Layer Click on the New Layer icon at the bottom of the Layers palette to add another blank layer. Photoshop will add the new layer above "Layer 1" and automatically name it "Layer 2": Step 18: Paste The Layer Styles Onto The New Layer With the new layer selected, go back up to the Layer menu at the top of the screen, choose Layer Style once again, and this time, choose Paste Layer Style: The Outer Glow and Inner Glow styles from "Layer 1" are now added to "Layer 2" and will automatically be applied to the next light streak we create! Step 19: Add Another Light Streak With a new layer added and the layer styles from "Layer 1" already applied to the new layer, we can easily create a second light streak. Simply draw a new path with the Pen Tool, save the path if you want by renaming it "Path 2" (or whatever you want to name it), then stroke the path with the brush. Once you've created the main light streak, hold down Ctrl (Win) / Command (Mac) to access the Direct Selection Tool and edit the path, moving anchor points, direction handles and/or path segments to create a few slight variations of it, and then stroke each variation with the brush, using a different brush size each time. Here's my result after adding a second light streak to my photo: http://imageshack.gr/files/oyw154gx7nh6uti12yc2.jpg[/img] If you don't want both light streaks to be the same color, you can easily change the colors simply by editing the layer styles. Let's say I want my second light streak to be a different color. To edit the layer styles, all I need to do is double-click on the Layer Style icon on the far right of "Layer 2": This will pop open the Layer Style dialog box for me. All I'd need to do is click on the words Outer Glow on the left side of the dialog box, which brings up the Outer Glow options in the middle column, then click on the color swatch and choose a new color either from the Color Picker or by sampling a different color from the image. Click OK to exit out of the Color Picker, then click on the words Inner Glow on the left to access the Inner Glow options. Click the color swatch, choose a new color, click OK to exit out of the Color Picker, then click OK to exit out of the Layer Style dialog box. You can edit the colors of the light streaks any time you want simply by editing the layer styles. Here's my final result after editing the layer styles on "Layer 2" and changing the color of my second light streak slightly, using colors I sampled from the woman's hair: http://imageshack.gr/files/o999khqida87sgbk56ys.jpg[/img] Thanx :)

First of alla is more simple than it seems Written By Steve Patterson In this Adobe Photoshop tutorial, we're going to look at how to add colorful streaks of light to a photo. You've probably seen these light streaks used in ads for everything from shampoo to cellphones, and in fact they were used most recently in a cool ad for a new cellphone from Sprint and Samsung. Creating them is as easy as drawing a path with Photoshop's Pen Tool and then stroking the path with a brush, with a couple of simple layer styles used to add the actual color and light effect. It's all fairly easy, but if you've never used the Pen Tool before or you're not sure how to draw paths, you might want to check out our Making Selections With The Pen Tool tutorial first, where I cover everything you need to know about drawing and editing paths with the Pen. Here's the image I'll be working with in this tutorial: And here's how it will look after adding our light streaks: http://imageshack.gr/files/si3gslszne5tapegwcwu.jpg[/img] Let's get started! Step 1: Add A New Blank Layer We're going to be adding our light streaks on their own separate layer, so the first thing we need to do is add a new blank layer to our document. To do that, click on the New Layer icon at the bottom of the Layers palette: This adds a new blank layer, which Photoshop names "Layer 1", above our Background layer: Step 2: Select The Pen Tool As I mentioned at the beginning, we're going to create our light streaks by drawing paths and then stroking the paths with a brush. To draw paths, we need the Pen Tool, so select it from the Tools palette. You can also press the letter P to select it with the keyboard shortcut: Step 3: Select The "Paths" Option In The Options Bar Photoshop gives us three different things that we can do with the Pen Tool. We can use it to draw vector-based shapes, we can draw paths with it (which is what we want to do), and we can draw pixel-based shapes. We select between these three options by clicking on their icons up in the Options Bar at the top of the screen. You'll see three little square icons grouped together on the left side of the Options Bar. Click on the icon in the middle, which is the Paths option Step 4: Draw A Path Where You Want The First Light Streak To Appear With the Pen Tool selected and the Paths option chosen in the Options Bar, we're ready to draw our first path. I want my light streaks to appear in the bottom half of the photo, somewhere around the woman's shoulders and neck area, so that's where I'll draw my first path. You'll want to add several curves to your path to make the light streak more interesting. I'll start by clicking somewhere in the bottom left corner of the image to add my first anchor point, then I'll drag out direction handles in the direction that I want my path to follow. Again, be sure to check out our Making Selections With The Pen Tool tutorial first if what I just said made no sense to you: I'll continue drawing the rest of my first path by clicking and dragging a couple more times with the Pen Tool to add the rest of my path segments. I now have my first path running from left to right across the woman's shoulders and neck area: http://imageshack.gr/files/fgauka26kwgynxomssss.jpg[/img] Step 5: Select The Brush Tool Now that we've drawn our first path, the next step is to stroke it with a brush. For that, we'll need Photoshop's Brush Tool, so select it from the Tools palette, or simply press the letter B on your keyboard: Step 6: Select The "40 Sampled Tip" Brush Photoshop comes with several brushes that would work well for our light streak effect, but after trying a few of them out, I've found one I like the best. To select it, we'll need to bring up the Brushes palette. There's a few different ways to bring up the Brushes palette, and one of them is to click on the Brushes palette toggle icon in the Options Bar at the top of the screen: When the Brushes palette appears, click on the words Brush Tip Shape in the top left corner of the palette. Then, in the Brush tip selection area on the right, scroll down near the bottom of the list and select the 40 Sampled Tip brush. It just says "40" in the preview area, but if you have Tool Tips enabled in Photoshop's Preferences, you'll see the words "Sampled Tip" appear when you hover your mouse over the brush: Step 7: Lower The "Spacing" Amount To 1% Down at the bottom of the Brushes palette, directly above the brush preview area, you'll see the Spacing option. Whenever you paint with a brush in Photoshop, even though it usually appears as though you're painting one continuous stroke, what Photoshop is really doing is "stamping" the image over and over again with the brush tip. If the "stamps" are close enough together, they appear as a continuous stroke. The Spacing option determines how far apart the stamps will appear, and by default, the option is set to 30% for our "40 Sampled Tip" brush. That's too much of a space for our effect. Use the slider bar to lower the Spacing amount all the way down to 1%. If you look at the brush preview area after lowering the Spacing amount to 1%, you'll see that the brush now appears as one continuous stroke: Step 8: Set The Brush Size Control To "Pen Pressure" If we were to stroke the path with our brush right now, the light streak effect wouldn't look very good because the brush would appear at the exact same size all along the path. We need the brush to taper off at both ends to create the illusion that the light streak is actually beginning at one end and ending at the other. For that, we'll need to tell Photoshop to simulate pen pressure for us, as if we were drawing with a pen tablet. Click directly on the words Shape Dynamics on the left of the Brushes palette, directly below "Brush Tip Shape". Make sure you click directly on the words, not just in the checkbox to the left of the words. Clicking inside the checkbox will enable the Shape Dynamics options but won't allow us to change any of them. We need to click on the words themselves to get access to the options. Once you've clicked on the words, you'll see the Shape Dynamics options appear on the right of the palette. At the very top, you'll see the words "Size Jitter" with a slider bar, and directly below the slider bar is the Control option. This is where we get to decide how to control the size of our brush. We want Photoshop to simulate pen pressure, so select Pen Pressure from the Control drop-down menu: Now, at the moment, all we've done is told Photoshop that we want to control the size of our brush according to pen pressure, but what if you don't actually have a pen tablet? If you don't have one connected to your computer, you'll see a little warning icon appear to the left of the word "Control" telling you that a pen tablet is required, but don't worry about it. In a moment, we're going to be telling Photoshop to simulate pen pressure for us, so for this effect, it makes no difference whether you have a pen tablet or not.

I like them But i think it will be more funny to Rename the mp3 into Jukebox! xD GJ!

Sorry for my post ... it was Completely Wrong :S Here is the Normal King of Giran: Normal Giran

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LOL! I like them! xD Nice Work! xD

H kaliteri lisi! xD Iprosopiki mou gnomi einai na ma8eis akrivws ti niw8ei gia esena ... An niw8ei 8umo 8a perasei ... An niw8ei misos ή exei xasei tin empistosini tis pros esena ... Mamiseta :S Pare kai ena tragoudaki kai apo mena ;D http://www.youtube.com/watch?v=_GUDvbYqPss

+1 --> Γιατί οι Ελληνες ύδρισαν τους Ολυμπιακους Αγώνες! You must not be proud to be Greek , you must be Greek to be proud! ;D

Nomizw se auti tin periptosi prepei na perimeneis ligaki na fortosei i eikona ή kaneis ananewsh

Den uparxei 8eos ! xD Giati ama tous peis kati den 8a exoun ti na poun ... Giati den kseroun ti 8eloun ... Gia na kanei megaliteres poliseis! Giati den to skeutomaste ή Den prolavenoume na to skeutoume xD Giati den exei vrei kali dikaiologia gia na se xwrisei! xD Gia oikogeneiakous logous! xD Ama sta edinan esena na eleges einai liga , den ta 8elw! xD Gia ta upolipa den kserw! :D

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If you can make something like that ... you can blame me that my job is bad .... So ... if you can't make something like that just don't post!

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